There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
The findings go as far to coin the phrase “compulsive unlocking,” referring to when children usually get up—around 7 a.m., mirroring a biological clock that resembles that of a smoker’s—and check their phone almost religiously. The company also girls were 17% more likely to experience anxiety as a result of pressures regarding one’s digital availability and connection.
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