Yearbook photos from the community’s grade school show a smiling, demure young Friedmann. He kept to himself, reading and drawing. The one classmate I found whom he befriended, Craig Proctor, told me that, to the few people he let in, Friedmann was kind and generous, though never exactly warm. He dressed in button-downs, like an adult, and had a manner that was courtly beyond his years, as well as a keen sense of injustice. He defended kids who were bullied, though his anger was always “very controlled,” Proctor said. Small for his age, Friedmann didn’t fight the bullies; he taunted them with his superior vocabulary—he’d “bludgeon with words,” Proctor told me, adding that Friedmann “thought he was smarter than other people.” Proctor sensed a severe tension between Friedmann and his father but didn’t know its origin.
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At the heart of the KEF Muo rebuild is a new racetrack-shaped mid/bass driver (2.5 × 5 inches) that has been paired with a 0.74 inch (19mm) tweeter and driven by a total of 40 watts of Class D amplification (30 watts for lows, 10 watts for highs.) The elongated oval shape (hence why they call these “racetrack” drivers) allows for more internal volume and greater efficiency. Combined with KEF’s own P-Flex Surround technology—a pleated structure borrowed from their subwoofers that reduces internal air pressure—it should get deeper, more controlled bass despite the tiny enclosure size.
“Messaging is a huge issue with Social Security,” she said. The baby boomer generation largely started working in their teens, and “it was never explained to us that what this program really is, which is a large national insurance program that we all contribute into.
特别是在韩国本土电视业贫瘠的年代,AFKN(美军广播电视网)直接把最前沿的美国流行乐、肥皂剧、好莱坞电影播送到韩国人的客厅里,这种“即便听不懂也要看”的行为,在潜意识里建立了一套“什么是好的、什么是酷的”标准。金暻铉认为,这解释了为什么K-pop现在的视觉、节奏和剪辑感能和欧美无缝对接——韩国的成功不是偶然的,它是地缘政治、经济依赖、技术媒介共同作用75年后的产物。